Monday, January 30, 2012
A Tale of Two Cities
A Tale of Two Cities is exactly that. It follows parallel stories that take place in two cities (London and Paris) before and during the French Revolution.
Friday, January 20, 2012
I first read this poem in Miss Reineke's English class my freshman year. This was my introduction to poetry. It caused me to think. What do I want, sitting in my small classroom without windows, reading poetry about people who have influenced people in amazing ways. What do I matter? How do I compare to Langston Hughes writing for his English teacher. This poem still echoes in everything that I do. "Let it come out of you, and then it will be true."
I'm very glad this was my introduction to poetry, and that now I have the opportunity to share it with others. I learned an awful lot about myself from a poem written for someone else's class.
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:
I'm very glad this was my introduction to poetry, and that now I have the opportunity to share it with others. I learned an awful lot about myself from a poem written for someone else's class.
THEME FOR ENGLISH B
By Langston Hughes
The instructor said,Go home and writeI wonder if it's that simple?
a page tonight.
And let that page come out of you---
Then, it will be true.
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:
It's not easy to know what is true for you or me
at twenty-two, my age. But I guess I'm what
I feel and see and hear, Harlem, I hear you:
hear you, hear me---we two---you, me, talk on this page.
(I hear New York too.) Me---who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records---Bessie, bop, or Bach.
I guess being colored doesn't make me NOT like
the same things other folks like who are other races.
So will my page be colored that I write?
Being me, it will not be white.
But it will be
a part of you, instructor.
You are white---
yet a part of me, as I am a part of you.
That's American.
Sometimes perhaps you don't want to be a part of me.
Nor do I often want to be a part of you.
But we are, that's true!
As I learn from you,
I guess you learn from me---
although you're older---and white---
and somewhat more free.
at twenty-two, my age. But I guess I'm what
I feel and see and hear, Harlem, I hear you:
hear you, hear me---we two---you, me, talk on this page.
(I hear New York too.) Me---who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records---Bessie, bop, or Bach.
I guess being colored doesn't make me NOT like
the same things other folks like who are other races.
So will my page be colored that I write?
Being me, it will not be white.
But it will be
a part of you, instructor.
You are white---
yet a part of me, as I am a part of you.
That's American.
Sometimes perhaps you don't want to be a part of me.
Nor do I often want to be a part of you.
But we are, that's true!
As I learn from you,
I guess you learn from me---
although you're older---and white---
and somewhat more free.
This is my page for English B.
1951
Thursday, January 19, 2012
Big Question: Abstract
The purpose of this inquiry is to determine whether
fictional stories that focus on love and interpersonal relationships create a
skewed view of the realistic expectations for long- term happiness. Literature defines the stories to which I
refer as romance novels and in television, romantic comedies, and even some
dramas, fairy tales too fall into the category to which I refer. In these
novels, or narratives that have been passed through generations, good characters
after some trouble, come to good ends. Meanwhile, their “evil” counterparts are
defeated and become miserable. I intend
to investigate the impact that “romance” novels have on the relationships, and
the expectations that occur due to the avid belief in the ideas portrayed in
the novels. I intend to focus especially
on the expectations that occur in the current generation. I hope to see a coloration
in changes in the psychological and anthropological trends, due to the
relevance of romance stories in the media.
Monday, January 16, 2012
"By their deeds shall ye know them." We often judge people by what they do; therefore, we consider people who commit cruel or reprehensible acts corrupt, base or amoral. In literature, however, authors often introduce us to characters whom we learn to like or even respect, despite their deeds.
Write an essay about one such character for whom you developed admiration or compassion. Briefly explain why you felt his or her behavior to be condemnable or contemptible, and how the author's techniques influenced you to admire that person. Do not summarize the plot. (40 minutes)"
Write an essay about one such character for whom you developed admiration or compassion. Briefly explain why you felt his or her behavior to be condemnable or contemptible, and how the author's techniques influenced you to admire that person. Do not summarize the plot. (40 minutes)"
In The Scarlet Letter, by Nathaniel
Hawthorne, we find ourselves in the middle of a story in Puritan Massachusetts.
A married woman was found to be pregnant, with a child that was not her
husband’s, as he had not been seen in years. Hester Prynne was branded with a
scarlet A, and forced to live outside the small community. The community watched and judged as the woman
raised her daughter without her unknown lover. The authorities condemned her,
and called all others to see her as an example.
The ailing Reverend Dimmsdale was among the judges who watched as Hester
and her unborn child were sentenced. We come to find out that Dimmsdale was the
unnamed partner, and had been suffering inwardly as he watched the events
unfold.
Dimmsdale
allows the guilt of his actions to consume him. He creates a hell for himself
because of his great sins. As a devoted minister, he taught the value of living
a chaste and moral life, while he himself had committed a sin of the highest
degree. In the Puritan community, Dimmsdale was revered for his morality, and
his ability to preach the correct principles for the dogmatic congregation.
Despite his age, he was seen as an authority on maintaining the laws and
statues expected of those in the settlement. He was ailing, all around him
could see. He had a mystery illness, and looked to be much older than his
actual age. Reverend Dimmsdale had created a personal punishment for himself,
because his actions were not known to those around him. He did not confess to
being a party in the adultery, but he suffered more because of the inward guilt
he felt for Hester’s public suffering.
The
Reverend’s health continued to suffer. He became friends with a mysterious
doctor who moved into the small community. The doctor was Hester Prynne’s husband,
Roger Chilingsworth. He suspected that the Reverend had been the man with which
his wife had an affair. He made it his mission to cause more suffering to the
worsening condition of Dimmsdale. As his
suspicions were confirmed, Chilingsworth did his best to ruin the life of the
already guilt ridden man with whom he lived.
Dimmsdale’s life became consumed with the guilt he felt for abandoning
his child, and leaving his lover to suffer alone in silence.
Dimmsdale’s actions in the public were self-preserving, and
cowardly. Nathaniel Hawthore, however
allowed the reader to see the suffering that was actually felt by a man who to
others seemed to be pure. The suffering caused by the guilt, and by the
infliction of a scorned husband, allows compassion to be felt. It is felt even
more strongly when, at the conclusion of the novel, we see the scarlet “A”
branded into the flesh of the dead Reverend in the center of the town, for
everyone to see. We see, through his
death by self-inflicted guilt, that the child, and the lover were never far
from his mind, and that the unnamed man suffered more than the publicly
condemned woman.
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